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“Dilapidated Yeller” is, simply set aside, one of the greatest films (and books) ever laid on celluloid. If you’re unusual with the chronicle, you don’t know what you are missing. “Former Yeller” tells the legend of two boys (expertly played by Tommy Kirk and Kevin Corcoran) who conclude on their Texas farm with their mother while their father (Fess Parker) goes on a cattle drive. Yeller shows up and gives the elder brother, Travis Coates (Kirk), quite a bit of disaster until the dog proves his worth by saving everyone in the Coates family in one blueprint or another. Of course, the ending of this heartwarming film is perhaps one of the most depressing in cinematic history, and Tommy Kirk handles his emotions onscreen to perfection.
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“Savage Sam,” which is sort of a sequel to “Extinct Yeller” since it has Travis and puny brother Arliss in it, not to mention two other memorable characters (which I’ll pick up to later) . In it, Sam is the Coates’ modern dog and grand like Yeller, he’s shiny, heroic, and manages to win into grief often. Unlike “Ragged Yeller,” which was more of a gape in the relationship between a young boy and his dog, “Savage Sam” plays out more like a Western adventure, paunchy of Injun fightin’, cowboys, and even a touch of romance. Travis, Arliss, and their friend, Lisbeth Searcy (Marta Kristen of “Lost In Spot”) are captured by a band of Apache warriors who notion to do who knows what to them. The Coates’ uncle Beck (Brian Keith), Mr. Searcy (Jeff York) from the first film, and a gang that includes, among others, Slim Pickens and Dewey Martin, head out to set the kids. Along the method they grasp up Sam, who was idea to be monotonous. Eventually, Sam picks up the kids’ roam and he leads our heroes to the three captives. The ending of this film is a lot happier than “Worn Yeller,” but that ol’ yeller dog dwelling the bar so high that most will believe “Savage Sam” ghastly to it. That’s a pleasing statement, but there are few films out there that aren’t imperfect to “Primitive Yeller.”
Bud Searcy (Jeff York) almost manages to select both of these films. His proud, indolent, and “always around about dinner time” character is easily the funniest in the lot. Tommy Kirk and Kevin Corcoran act well beyond their young years should allow in this film. Kirk is especially apt at conveying the heartwrenching emotions that he feels as he puts Aged Yeller to rest. Beverly Washburn portrays young Lisbeth Searcy in “Extinct Yeller,” but she didn’t return for “Savage Sam.” No reason is given, but Marta Kristen fills the role nicely and the character gets a noteworthy amount of camouflage time in “Sam.”
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The DVD extras are very nice. “Bone Wretchedness” is a Disney short in which Pluto has a run-in with a neighbor dog over a bone in a mirror funhouse. It’s a nice addition to this status. The accurate gems here are the features on Don Gipson, author of both “Venerable Yeller” and “Savage Sam.” Gipson’s son is interviewed on the day that Yeller and Travis are to be enshrined in front of the local library in Mason, TX, where the Gipson clan is from. There’s also interviews with the cast in current years about the making of the film. In it, Dorothy McGuire, Chuck Connors and Jeff York are fondly remembered by the rest of the unusual cast. There’s also an intimate gawk at the Disney film life of Tommy Kirk.
“Dilapidated Yeller” is a must-have for any suitable fan of film and/or Disney. It’s a Western story that rivals “Shane” as one of the greatest Westerns of all time. “Savage Sam” is also a delight to have, and I’m jubilant it’s included on this disk.
Highly recommended.
A pair of appetizing, classic (in the classic sense of the word) Disney animal stories, and nobody did animal stories betters than Disney. Ancient YELLER and SAVAGE SAM are a couple of family splendid gems.
Faded YELLER (1957) is the anecdote of a tremendous, barrel chested, half-lab half-mastiff and all huge yellow haired mongrel who adopts himself into a farm family some time shortly after the American Civil War, somewhere deep in the heart of rural Texas. As the chronicle opens Pa (Fess Parker) is leaving for the summer to drive and sell cattle for some mighty needed cash money, leaving Ma (Dorothy McGuire,) teenage son Travis (Tommy Kirk) and six-year-old son Arliss (Kevin Corcoran) to tend the farm in his absence. No sooner has Pa disappeared over the hill when a immense yellow dog explodes on the scene, scaring the plowing mule and, a bit later, stealing a hank of middling meat. Travis wants to destroy him, for young Arliss it’s fancy at first watch. Outmoded Yeller’s set is a microscopic shaky until Arliss, one of those kids whose pockets have to be emptied of garter snakes and horny toads before he’s allowed into the cabin, starts playing with a young occupy cub far enough away from the cabin to develop human rescue impossible. The mama occupy and Frail Yeller dart onto the scene at about the same time, and their confrontation is quite challenging. The rescue is enough for the family to accumulate Yeller into the fold, and in return Yeller will place everyone in the family’s lives at least once. Anyone whose read Fred Gipson’s new of the same name will be prepared for the serious grief when `the hydrophoby’ hits the valley. To its credit Disney doesn’t rewrite the tragic ending. Gipson, by the scheme, also is credited as the screenwriter.
SAVAGE SAM (1963), another Gipson dog sage, revisits the Coates family five years on. Kirk and Corcoran, both five years older, are succor as Travis and Arliss. This time Ma and Pa are off visiting Ma’s sick mother, Uncle Beck (Brian Keith) drops in on the boys now and then, and the family dog is now Savage Sam, a hound dog (mainly hound, something else is mixed in his blood.) Sam can track objective about anything, which comes in handy when he and Arliss go off chasing a egg-stealing bobcat and along with Travis and young Lisbeth Searcy (Marta Kristen,) are kidnapped by a horse-stealing band of Apaches. Sam is hit over the head and left for dreary. Sam recovers, though, Uncle Beck organizes a stir party (including Royal Dano, Dewey Martin, and Slim Pickens) and sets out after the kidnapped children. Ultimately, a left-for-dead Travis and a groggy but alive to Sam join the posse.
Primitive YELLER is the gargantuan `un in this two-pack, but I enjoyed SAVAGE SAM nearly as noteworthy. It’s an bright race movie, and it doesn’t plumb the tragic depths its predecessor does.
The bonus disk contains a number of specials. A 35-minute special entitled “Customary Yeller: Remembering a Classic,” a 2002 talking head documentary featuring a number of the remaining stars (Kirk, Corcoran, Parker, etc.) recalling the making of the movie. Sharp if not deeply informative. A 15-minute “Conversation with Tommy Kirk” elegant considerable explains it all, with the nearing-60 Kirk recalling his work with Disney. “Ranch of the Golden Oaks” is a 7-minute short about the ranch on which Stale YELLER was filmed - had kind of an infomercial feel to it. There’s a short feature with Gipson’s son celebrating the unveiling of an Passe Yellow (and Travis) statue in a tiny town in Texas. A rebroadcast of a television episode of The Fantastic World of Disney from 1957 entitled `The Best Doggoned Dog in the World” devoted to, you guessed it, dogs. I don’t remember seeing the enthralling short `Bone Disaster,’ but navigating Disney’s special feature disks is tricky sometimes. The specials were toothsome enough, gently selling Disney products, emphasizing Primitive Yeller and handsome mighty ignoring Savage Sam.
I’d recommend these without hesitation, but the presence of horse stealing, kidnapping indians in SAVAGE SAM is a exiguous beyond the politically proper pale. Even though the kidnappers include a valorous who steps in to protect the children a few times, the overall impression is that of scary, lawless savages. Those sensitive to such portrayals may want to look SAVAGE SAM first before sitting down to it with the whole family.
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