France under the Nazis is again being portrayed in Uncertain Glory, a subjective, melodramatic deliberate over that is lengthy and frequently dead.
Glory is more a yarn of two people than any group of people, it is scattered in its development of both narrative and characters; it is slow-paced and possessive of little action. Lack of action, perhaps, might be excusable in melodrama - providing that there is the omniscient thought of impending action. Story is involved, dealing with a Surete inspector and the object of his longtime chase (Errol Flynn).
The film’s opening finds Flynn being led to the guillotine for murder. A British flying squadron bombs the prison, upsetting the execution and leading to Flynn’s escape. Then follows once again the chase by Paul Lukas, the capture and the subsequent plan by Flynn, at first for escape reasons, to give himself up as a saboteur so that 100 French hostages could go free. The idea is that thus he would be doing the only redeeming thing in his life.
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